An Unconscious Archive
Presentation at Phases Magazine . .
Critical Archives V: The Future Is Unwritten
The exhibition’s title Critical Archives V: The Future Is Unwritten appropriates a popular phrase by Joe Strummer, member of the punk band The Clash. The question it raises is what kind of temporalities open up each time we view the concept of democracy as a tool for critiquing social reality. The multiple interpretations and uses…
Platforms Project 2021
. Participation in the Open Studios, Platforms Project Athens School of Fine Arts, October 2021 . .
“Europe – medieval, grotesque, monstrous: a symphony in B-mol.”
D. Kechris, “Europe – medieval, grotesque, monstrous: a symphony in B-mol.”, Europe: the faces and the territory, MedPhoto Festival, KOLEKTIV8, Athens 2019 . .
La insurrección es un…
Presentation at The Greek Foundation . .
Interview for Velvet Eyes
Commenting on the discursive meanings of photography Interview | Velvet Eyes . .
CRITICAL ARCHIVES IV: Documents
In the exhibition CRITICAL ARCHIVES IV: Documents, visual documents dealing with social relationships and their transformation in time, their construction and spatialization, are placed within new contexts which explore their hermeneutical limits between the private and the public. Photography is seen here as an archiving instrument by default, as an a priori medium of recontextualization,…
Interview for photologio.gr
Interview (in Greek) on the nature of images and their uses . .
Towards a multi-textual approach to reading images
Article (in Greek) on the meanings of images in different contexts . .
Sebastião Salgado | The Gold Mine, Brazil
Article (in Greek) on Sebastião Salgado’s picture “The Gold Mine, Brazil” . .