“Europe – medieval, grotesque, monstrous: a symphony in B-mol.”
D. Kechris, “Europe – medieval, grotesque, monstrous: a symphony in B-mol.”, Europe: the faces and the territory, MedPhoto Festival, KOLEKTIV8, Athens 2019 . .
La insurrección es un…
Presentation at The Greek Foundation . .
Interview for Velvet Eyes
Commenting on the discursive meanings of photography Interview | Velvet Eyes . .
CRITICAL ARCHIVES IV: Documents
In the exhibition CRITICAL ARCHIVES IV: Documents, visual documents dealing with social relationships and their transformation in time, their construction and spatialization, are placed within new contexts which explore their hermeneutical limits between the private and the public. Photography is seen here as an archiving instrument by default, as an a priori medium of recontextualization,…
Interview for photologio.gr
Interview (in Greek) on the nature of images and their uses . .
Towards a multi-textual approach to reading images
Article (in Greek) on the meanings of images in different contexts . .
Sebastião Salgado | The Gold Mine, Brazil
Article (in Greek) on Sebastião Salgado’s picture “The Gold Mine, Brazil” . .
You refuse to understand / you don’t say anything / watching me die
The exhibition presents three works of art that focus on the different ways we “experience” the refugee/migration crisis from a certain distance, that of the observer, while exploring the problematic of the gaze. The different ways of seeing are integral to the social processes of defining and controlling the Other and are inherent to photography…
Athens Photo Festival 2018
Participation in the exhibition “Young Greek Photographers” Benaki Museum, June-July 2018 . .
Interview with Eduardo Cadava
A discussion (in Greek) on memory, on Walter Benjamin and the connection between photography and other fields. . .