CRITICAL ARCHIVES IV: Documents

In the exhibition CRITICAL ARCHIVES IV: Documents, visual documents dealing with social relationships and their transformation in time, their construction and spatialization, are placed within new contexts which explore their hermeneutical limits between the private and the public. Photography is seen here as an archiving instrument by default, as an a priori medium of recontextualization,…

You refuse to understand / you don’t say anything / watching me die

The exhibition presents three works of art that focus on the different ways we “experience” the refugee/migration crisis from a certain distance, that of the observer, while exploring the problematic of the gaze. The different ways of seeing are integral to the social processes of defining and controlling the Other and are inherent to photography…